As I was biking through downtown Minneapolis on my way home from work yesterday, I noticed the new exterior at Solera, a tapas restaurant that I have enjoyed many times. I didn’t enjoy the new look. I find the Spanish flag awnings are a bit garish — not to mention nationalistic — compared with the formerly quiet, Gaudí inspired blue and tile. Far more offensive, however, are the new banners hanging vertically down the side of the building that proudly proclaim Solera to be the “Cucina de España”. If you’re not shaking your head incredulously right now, I should explain that “cucina” is the Italian word for kitchen; the word in Spanish is “cocina”. In addition to “kitchen”, cocina refers to cuisine, home cooking and cookery — all things to which Solera would presumably like to refer.

When I first saw this I was sure it was just a printer error. Maybe nobody at the sign company spoke Spanish and maybe the sign was hung in a hurry without checking with anyone at the restaurant. An expensive error, to be sure, but one that would be corrected quickly. I even pulled off the road to try to take a photo of the banners, so sure was I that they would be taken down and replaced with corrected versions before anyone noticed (my iPhone camera, unfortunately, failed to work — but that’s another post).

But then I checked Solera’s website. Here’ a screenshot from the top of the page:

And the page footer:

Apparently, Solera is embracing the “cucina” thing wholeheartedly.

At this point I started to question my own knowledge of Spanish. Maybe this was just a word I wasn’t familiar with — I checked dictionaries and the incomparable wordreference.com, but I couldn’t find anything. Maybe it was Catalan? No — that would be “cuina”. I even called a Spanish professor, but she just confirmed that cucina was not a Spanish word.

Was Solera going for some kind of Italian-Spanish fusion concept, and expressing this through the fusion of the languages in their tagline? Not according to the first sentence on their homepage:

Featuring an evocative menu, authentically embracing the cuisine of Spain, Solera offers an unparalleled experience for social dining in a vibrant, Spanish-influenced atmosphere.

Embracing the cuisine of Spain, sure, but not the language. The menu is pure Spain.

This is even more confusing since the new chef at Solera, Jorge Guzman, is a native of Mexico City, and I doubt he’s the only member of the kitchen staff who speaks Spanish. If the marketing people had bothered to check with Guzman one would think this error might have been avoided.

The idea of marketing raises the possibility that this is all just a cynical ploy for attention, for nitpicking blog coverage like you’re currently reading. They say there’s no such thing as bad publicity, and seeing these banners certainly made me stop, and here I am writing this post, playing into their manipulative hands. Mission accomplished. But does this lead me to take Solera seriously as a place to celebrate and enjoy the culture of Spain? Pues, no.

I’m not sure why I’ve become so obsessed, but I’ve been thinking about it since last night and I just can’t make sense of it. If it’s an error, it’s a huge and repeated error that speaks badly of the organization, especially after its recent management change. If it’s intentional, I have yet to come up with a plausible theory for what they were going for. Am I just linguistically ignorant? Can you help me out here?

Call me a pessimist, but in spite of all the amazing advances being made in the realm of cold weather fruits I don’t think anybody’s ever going to grow citrus in Minnesota. So what’s the hard-core locavore fundamentalist zealot to do when he finds himself in the North country and craving a glass or two of sangria, the citrus-laden wine drink of Spain? Since moving to California — or better yet, Spain — isn’t necessarily a workable option, the drink would just have to be adapted to local circumstances. Time for Minnesota sangria.

The inspiration for this concoction was a visit Martha and I made recently to Delano, MN and the Woodland Hill winery. Besides producing surprisingly decent traditional red and white wines, Woodland Hill also makes some worthwhile fruit wines, including, most notably for me, wines made with rhubarb. In visits to wineries in Michigan and Minnesota over the years I have imbibed all kinds of different fruit wines — most of them terrible — but this was the first time I’d ever seen rhubarb wine. Juice is extracted from the stalks by first freezing them to break up the cells, then pressing them for all they’re worth through a wine press.

At the time of our visit they were sold out of last year’s straight rhubarb vintage but had plenty of Tickled Pink, a strawberry-rhubarb blend. Strawberry and rhubarb is a classic flavor combination — and far superior to the ubiquitous kiwi-strawberry, I might add. Lest you think cloying thoughts of strawberry-rhubarb pie, crisp, or what-have-you, I should say this wine was remarkably restrained for a fruit wine; relatively dry (for a fruit wine!) and with clear strawberry and rhubarb flavor.

Clear as these flavors may have been, there’s always room for a little improvement. With copious quantities of strawberries and rhubarb from the Midtown Farmers Market, as well as a bundle of mint — the official herb of summertime — from the Saint Paul Farmers Market, I mixed up a version of this Spanish summertime staple fit for the fields of Minnesota.

Minnesota Sangria

• 1 bottle (750 ml) strawberry-rhubarb wine (we used Tickled Pink from Woodland Hill)
• 1 ½ cups rhubarb, cut into large chunks
• 10 medium strawberries, sliced
• 1 generous handful mint (you can leave it on the stem)

Mix all the ingredients in a large pitcher. Chill and serve.

When it comes to Spanish bar food, I don’t need much more than a plate full of jamón serrano to accompany a few cañas of beer. But for Martha, there is no better tapa than the croqueta: a deep fried little log of gooey delight (beer doesn’t hurt here either). Always looking for ways to please, and not exactly hating croquetas either, I recently fried up a couple of batches using two different recipes for Martha’s and my own enjoyment.

I made my first batch of croquetas using the classic technique (my base recipe came from Penelope Casa’s Delicioso: The Regional Cooking of Spain). The first step is to make a very thick bechamel: my roux consisted of 6 tablespoons of olive oil and ¾ cup of flour to which I added 2 cups of milk over medium heat. In preparing the bechamel I learned that a lumpy roux that just won’t break up can be remedied with the magic of a food processor, a most satisfying action after 5 minutes of uselessly hunting lumps with a whisk.

Lots of fillings can go in croquetas, but salt cod and cheese are two very popular options. Since we were fresh out of salt cod, I decided to go the cheese route. Obviously, a Spanish cheese  would have been appropriate, but I was not interested in going to the store, so instead I folded a handful of cheap provolone into my cooked sauce with salt and pepper for good measure.

As I mentioned earlier, croquetas are shaped like small logs. But how to give shape to liquid bechamel sauce? The answer is to chill it. Most recipes seem to recommend chilling the bechamel overnight before proceeding. Crunched for time, I got away with just an hour and a half of chilling.

After the bechamel was cold enough to work, I formed pinches of it into cylinders and placed them on a plate. Then, it was time to bread: separate dishes of flour, eggs, and bread crumbs and a fanatical observance of “wet hand, dry hand” rule make this a clean and efficient process. As the croquetas were breaded I placed them on a sheet pan to wait for their date with destiny—a pot full of 350°F oil.

Croquetas don’t take long to fry, just a few minutes until the breading is golden. If they sit in the oil too long, there’s a risk of the filling exploding out of the breading. They are best eaten very hot, washed down with the aforementioned beer.

We also enjoyed a few other Spanish standards: tortilla española, jamón (ok, prosciutto, but what can you do?) and aged goat cheese.

Making these must have given me the croqueta bug, because just over a week later I was hauling out the oil again for another round. This time, though, I used a recipe from the New York Times that was less traditional: rather than a bechamel, these croquetas were based on leftover mashed potatoes (the recipe was originally published in anticipation of Thanksgiving leftovers). It happened that I had a large amount of mashed potatoes left over from Martha’s birthday and this recipe sitting on my desktop for the past year and a half; it was a croqueta perfect storm, really. I made the recipe as described in the Times, again substituting prosciutto for jamón (but really, there is no substitute).

If using leftover mashed potatoes seems too convenient and not a little questionable to you, your suspicions are well-warranted. These croquetas had good flavors and were a good way to use up leftovers, but the heavy mashed potatoes just can’t compete with gooey, creamy fried béchamel. All considerations of time and convenience aside, I’d take traditional croquetas every time. But in any case, there’s plenty of room in our lives for all kinds of croquetas.

And therein lies the real joy of making croquetas at home: if you order them in a restaurant, you can expect three to five to a plate accompanied by a crazy urge to order more. Too much of this can break the bank. At home, relatively cheap ingredients are transformed into enough fried goodness to satiate anybody’s croqueta cravings.

Although there are plenty of delicious steaks, pork chops and sausages routinely on offer at Clancey’s Meats & Fish, it’s the more exotic offerings that keep me going back. For example: the time I got my goat. More recently, I was greeted by the sight of fresh — not frozen — rabbits, curled up in their individual plastic bags asking me to take them home. Having recently been daydreaming through my various Spanish cookbooks, rabbit had me thinking one thing: paella. It doesn’t hurt that Clancey’s also sells a kick-ass fresh chorizo.

I usually think of paella as a summer dish (perhaps because I’ve only been to Spain in the summer) but it is a great meal for the fall as well. You can’t get fresh peas or red peppers, but carrots and parsnips can lend a moderate, earthy sweetness to the dish, and brussels sprouts can provide the necessary green. Fall is also the time when a hunter can easily come home with a brace of fresh rabbits.

While the vegetables used in paella can be flexible — indeed, they should be modified to match the season, what makes the paella a paella for me is the flavors of saffron and paprika (Valencians and anyone else are free to dispute this). These spices combine to give the dish deep, floral warmth, complemented nicely by generous squeezes of lemon juice. It can be a challenge to extract a lot of flavor out of saffron, which is all the more of a shame given how expensive it is. For this paella, I tested a technique I saw practiced by an old master of paella on the infuriating yet strangely captivating PBS series Spain: On the Road Again: rather than soaking crumbled strands of saffron before adding them to the broth, I ground them together with salt. This gave the rice a noticeable saffron flavor and brilliant yellow color.

Paella for Fall

• 2 cups small brussels sprouts
• Olive oil
• 1 rabbit, cut into pieces and seasoned with salt and pepper
• 1/2# fresh chorizo, cut into chunks
• 2 carrots, diced
• 2 parsnips, diced
• 1 medium onion, diced
• 2 cups short-grain rice
• pinch of saffron
• 1 tsp sea salt
• 2 tsp sweet paprika
• 5 cloves garlic, minced
• 2 quarts chicken stock or water or a combination
• 1 sprig of rosemary
• 1 lemon, cut into wedges

Bring a pot of salted water to a boil. Add brussels sprouts. Boil 5 minutes and then transfer sprouts to ice water. Drain and set aside. (You could also cook the brussels sprouts in the broth with the rice and the rest of the ingredients but overcooked brussels sprouts are bad news so do so at your own risk).

Place sea salt and saffron in a spice grinder and grind until pulverized.

Bring the stock/water to a bare simmer in a pot.

Cover the bottom of a paella pan or other large pan in a layer of olive oil and heat over medium high heat. Add rabbit pieces and fry until golden on all sides. Remove from pan and set aside. Brown chorizo pieces and set aside.

Working over medium heat, add diced vegetables. Cook, stirring occasionally, until the vegetables are soft and starting to brown. Add the rice and stir to coat grains with oil. Clear an area in the center of the pan and add olive oil. Add the salt-saffron mixture, the paprika and the garlic. Cook until fragrant, about 30 seconds. Stir everything in the pan together. Add most of the simmering stock and the reserved meats and bring to boil. Simmer, stirring occasionally, until stock is absorbed. Try the rice; if it still feels underdone, add more stock and keep stirring.

As the last of the stock is absorbed, toasty aromas will start to emanate from the bottom of the pan. Don’t be alarmed! If you’ve kept your heat moderate enough, the rice isn’t burning; it’s reaching a crispy dark brown. This layer of cooked rice on the bottom — the socarrat — is the best part of the paella; it’s really worth turning off your burning rice radar in order to allow it to develop.

When you’ve got as much socarrat as you think you can stand, turn off the heat and stir in the reserved brussels sprouts. Jam the sprig of rosemary in the center of the rice and cover. Let stand ten minutes.

You can serve the paella by placing it in the middle of the table, handing everyone a spoon and telling everyone to dig in, but side plates and forks and knives can be helpful for managing those intransigent pieces of rabbit. How ever you serve it, make sure to squeeze plenty of fresh lemon juice over top.